Showing newest 22 of 31 posts from April 2009. Show older posts
Showing newest 22 of 31 posts from April 2009. Show older posts

Thursday, April 30, 2009

Xu Xu Fang - Seven Days Now - Record Release

Psychedelic/experimental group Xu Xu Fang (including Bobby Tamkin of the Warlocks and Hovercraft, and Barbara Cohen who sang with Air) are to host a record release show for their new release Seven Days Now at The Echo in Echo Park, Los Angeles, CA at 10 pm tonight. Available for free download are two trippy album tracks: "Your Way", a breezy, trip-hop reminescent tune recently heard on Gossip Girl, and their darkly beautiful cover of the Cure's "Fascination Street".

Xu Xu Fang - These Days at CDBaby

Xu Xu Fang - Official Site | on MySpace Music | on Facebook

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Wednesday, April 29, 2009

Label Feature: Family Records

Family Records, described as "an independent artist development and management firm with full record label capabilities" (see also previous article on associated artist Dinosaur Feathers), has a batch of talented artists with recent releases and streamable material- check them out!:

WAKEY!WAKEY! is the music of vocalist/songwriter/pianist Mike Grubbs, who has a particularly moving, cinematic touch in his stylings. Members of the Arcade Fire, Beirut, and Anthony and the Johnsons also contributed to The War Sweater EP, which gets released tomorrow- preview it below (title track "War Sweater" is a lovely achievement):


Casey Shea
presents his tunes in a curious blend of classic rock and quirkiness, and all carried out with sweetness, with his latest offering, ABCs, Vol. 4, being a three-single release (one per month is planned). Have a listen below- "I Want To Be Free" should be blasting out of radios everywhere!


Pearl and the Beard
's charming brand of baroque pop-folk shimmers throughout their debut LP God Bless Your Weary Soul, Amanda Richardson. These are truly beautiful songs with an old-world feel- "Slow Motion Machine Gun" and "Lost in Singapore" are especially recommended:


Gabriel Kahane
, a singer-songwriter and composer who has performed with the likes of Rufus Wainwright and Sufjan Stevens and with two albums behind him, has recently released the single "LA", smartly blending classical and pop elements. Just as valuable are B-side inclusions "The Faithful" and an acoustic version of "LA":

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Tuesday, April 28, 2009

Sonic Youth - The Eternal

Today, the stream of Sonic Youth's The Eternal went live for those participating in Buy Early Get Now, with the actual physical release date set for June 9th. Bearing in mind that I'm one of those odd sorts that favors Bad Moon Rising and EVOL over Daydream Nation and what came after, these are my impressions on the new album:

"Sacred Trickster", the album's single, is a standard-fare Sonic Youth track (not a bad thing, mind you), with all the elements you might expect: a sort of dissonance meshed with noisy hooks, though Kim's vocals have a revitalized punch and already audible is the significant improvement here over their last release, Rather Ripped, in 2006. "Anti-Orgasm" comes across like an expansive neo-Sister track, guitar-centric, with trade-off vocals and the song slowly, brilliantly trailing off into oblivion after the mid-way mark. "Leaky Lifeboat (For Gregory Corso)", dedicated to the Beat Generation poet, breezes by with some existential pondering, while "Antenna", my favourite here, sounds set to become regarded as a true Sonic Youth classic, described best over at Matador Records as a "melodious ode to fleeting fantasy and unresolved desire with the sound of two analogue radios communicating the emotional action".

"What We Know" is another key highlight here, acerbic and rough-edged, with yet more maddeningly sharp guitar work. "Calming the Snake" filters through both the krautrock and hard rock influences of the band, eerie in its delivery and sounding stretched beyond the mere 3:36. "Poison Arrow" is a bit of "Sacred Trickster" part 2, a decent enough track, but sounding like filler amidst epic tracks like "Antenna" and "Calming the Snake". "Malibu Gas Station" starts off coolly, though would have been more effective had it been shortened in length, as it's not before long that it turns meandering and repetitive. "Thunderclap (For Bobby Pyn)" (Pyn, better known as Darby Crash, was the vocalist for the Germs) is a rallying, punky piece, and "No Way", described by Thurston Moore as having 'a total Wipers vibe', was the first song written for The Eternal, and feels like the most focused of the lot. "Walkin Blue" gets back into "Leaky Lifeboat" themes, adding to the album's post-apocalyptic atmosphere. "Massage the History" is quite the closer: breathy, haunting beauty encased in dreamlike walls of sound all around.

Overall, The Eternal feels just as much a return to form as a tribute to their influences- while slightly uneven, it is absolutely enjoyable and worthwhile for the gems that it contains.

Buy Early Get Now: Sonic Youth - The Eternal

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Monday, April 27, 2009

Caddywhompus - EPs

Caddywhompus are a new group putting out material that rivals the efforts of the likes of Animal Collective and No Age, in terms of neo-psychedelia and noise-rock power, respectively. A two-member experimental noise-rock group based in New Orleans and Houston, comprised of Chris Rehm (vocals / guitar / keyboard ) and Sean Hart (percussion / vocals), Caddywhompus' first EP was reviewed favorably here in February. Now they have a full-length available, EPs, which combines the EP material with their previous split cassette release with Female Demand, plus two new tracks.

Blending catchy pop sensibility with the mind-bending riffs and rhythms, "This Is Where We Blaze the Nuggz" is a taste of what is to come. What follows is "Fun Times at Whiskey Bay", with it's start-stop madness amidst a somber tone, "Absinthesizer" (got to love that track title) jutting through as an interlude, and "Untitled #7408" which I had previously described as "a softer tune awash in melody and shoegaze-meets-garage-rock wonderment".

"Treats" starts off the batch of cassette-issued tracks, fuzzy and recalling a lost video game theme at first, blowing up into a frenzy of sound around the one minute mark. "...But Not Before a Show" rolls along like a schoolyard chant...from outer-space might be like. "Probably Shouldn't Have Done All That Acid" murmurs with the buzz of a swamp-like atmosphere at the beginning, slowly transforming into an anthemic lament of sorts. "Eat Chest" would make for an excellent radio single; it's all the best noisiest and trippiest bits of Caddywhompus in a 3:43 sonic capsule. The two new tracks here, "Toy Boat Toy Boat Toy Boat Toy Boat Toy Boat" and "Acadian Threeway" point to a new, chiptune-esque direction, with all the fire and noise you'd expect from the group intact. EPs makes for a thoroughly enjoyable, refreshingly unique listen- highly recommended!

Listen to Caddywhompus - EPs at Bandcamp!

Caddywhompus Official Website | on MySpace | on Facebook | on Blogger

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Saturday, April 25, 2009

Dead Leaf Echo - "Act of Truth" Free Download

Dead Leaf Echo, an experimental, shoegaze-reminiscent New York group, have recently put out an EP entitled Truth, mixed by John Fryer (notable for working with Cocteau Twins, Depeche Mode, Lush, and Nine Inch Nails). The dreamy, beautiful track "Act of Truth" from the EP has recently been made available for free download; grab it-! free mp3 | free m4a

Dead Leaf Echo on MySpace Music
| Dead Leaf Echo Blog

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Friday, April 24, 2009

Independent Music Discoveries: Issue #5

This is the 5th installment of the Independent Music Discoveries series- see also Issue #1, #2, #3, and #4. Recommend your favourite independent musicians in the comments!

Hugo Frusslinky - Indie Rock - Isle of Wight, UK
Featured in the NME as well as the fantastic music blog How Marvellous, Hugo Frusslinky is a fantastic new British group. With all the frantic rock energy and fierce bite they've managed to pack into their 2-track Fatty Boom Boom EP, I'm absolutely looking forward to whatever they cook up next! Listen to "Fatty Boom Boom" below and download tracks at their MySpace Music page!


Plastic Reverie
- Rock - Massachusetts, USA
Plastic Reverie are a Boston rock band with a unique, cinematic sound based around poignant songwriting and sparse classical elements. Their Crooked Spine EP is avaialble for streaming below- especially notable is "Loaded Gun" for it's dark, smoky cabaret vibe. See also Plastic Reverie on MySpace Music.

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Joe ODonohoe - Alternative / Electroacoustic - Meath, Ireland
Drawing from both classic rock and electronic influences, Joe ODonohoe creates a blend of the two worlds in his music, impressively home recorded and arranged. Power Supply (for free download) collects 4 of his tracks- listen now to "Soot And Stars", my personal favourite.

kazaamBLAM!
- Electronic / Experimental - Wellington, New Zealand
Every now and again, a track comes along that is tricky to put in words other than "just listen to it"- kazaamBLAM!'s latest single "The Knucks" featuring Alphabethead matches that description. While sounding Space Invaderish and Cluster-like, with a minimal dark atmosphere, it is certainly a curious piece of music. Download two mixes of the track HERE!
kazaamBLAM! on MySpace Music

Victorian Halls - Indie / Garage /Powerpop - Illinois, USA
This Chicago garage rock band are influenced by the likes of Cursive and Death From Above 1979, and throw down crunchy numbers like "Tsk Tsk a crush is a crush" and "Neon Skies Light My Nerves Up". Check out Victorian Halls on MySpace Music and their Big Cartel store. Plus, they have brilliant cover art.

The Forcefield Kids
Hip-Hop / Alternative / Electronica / Northeast, UK
The Forcefield Kids offer up smartly executed rhymes encased in a cool lo-fi atmosphere- have a listen to "Razorblades", my favourite of the batch of tracks they have up at MySpace Music. They are offering a limited free download of "Little Miss Star" and are set to release an EP on July 6th.

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Thursday, April 23, 2009

The Horrors - "Who Can Say" (New Video!)

Only about a month after their last single "Sea Within a Sea", the Horrors have a new video out for their latest single from Primary Colours (to be released May 5th; very favorably reviewed here at A Future in Noise): "Who Can Say", fuzzed-out and shoegaze-esque, with the lads all looking quite suave! Watch the official music video of the single from XL Recordings below:

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Wednesday, April 22, 2009

Orioles - Let Me Be Your Partner

Orioles is the new side project from Panda steps in chocolate. Drawing inspiration from acapella, ambient, and shoegaze sources, with the addition of natural sounds (rain in "psalms" and birds in "jeremiah") and tribal elements ("Native", my favourite) and an extravaganza of reverb and sonic effects, Let Me Be Your Partner is in an echoic, drifting world of its own. A follow-up is in the works. Best appreciated as a whole, Let Me Be Your Partner is being offered for free download- grab it!:
Download Orioles - Let Me Be Your Partner

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Monday, April 20, 2009

Starter Guide: Legendary Genre Compilations

A part 2 of sorts to Starter Guide: Legendary Artist Compilations, this post focuses on some favourite genres of mine and the compilations that not only do fantastically at summing up the general sound that is concerned, but also contain oft-overlooked, 'hidden gems' you might not easily be able to find and hear otherwise. Suggest your compilation recommendations in the comments!

GENRE-SPECIFIC COMPILATIONS:
  • GIRL GROUPS
Though I did 'blip' about this yesterday, people have often been surprised to learn that I am a big fan of 1960's girl group music. Apart from better-known American comps like Back to Mono and the Shangri-Las' Myrmidons of Melodrama, the Dream Babes series covers obscure 60's British female artists, piling on more campyness and sweetness than you'll hear anywhere else. The first volume, as well as 3 and 6 are essential for anyone with an interest in the genre. The hard-to-come-by Girls in the Garage series bridges the gap between the girl group sound and the category to follow in this article.
  • PSYCHEDELIC / GARAGE ROCK
Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 (originally released in 1972, and further expanded in 1998) is arguably one of the best known and most beloved of a multiple-artist compilation of any genre. It is certainly a fine introduction to the psych-garage sound in general, though including not as much of the genuinely 'out-there' and bizarre as the arguably superior Pebbles series (especially Trash Box, if you can get ahold of it). The four disc Nuggets II could have been cut down to two, with all of the filler that is present there. Children of Nuggets covers a second wave of psychedelic music, 1976-1996, with inclusions such as the Soft Boys' "I Wanna Destroy You", Julian Cope's "Sunspots", and Primal Scream's "Gentle Tuesday" though again it would have been improved as a two disc set instead of its extended meanderings. There is a bit of overlapping with the aforementioned compilations, but I'd like to note that the out-of-print, Cramps-centric Born Bad albums are worth a listen as well.

Nuggets: "Primitive" - The Groupies, "Strychnine" - The Sonics, "Complication" - The Monks, "Going All the Way" - Squire, "The Trip" - Kim Fowley
Nuggets II: "Walking Through My Dreams" - The Pretty Things, "Magic Potion" - The Open Mind", "When the Night Falls" - Eyes, "I Must Be Mad" - The Craig, "Save My Soul" - Wimple Winch, "Crawdaddy Simone" - The Syndicats, "It's My Fault" - Rattles
Pebbles series: Vol. 1, 2, 4, 5, 7, 11 are the best of the bunch, all with loads of fine tracks here that are not on Nuggets.
Children of Nuggets Key Tracks: "The Girl from Baltimore" - The Fleshtones, "Mink Dress" - Plasticland, "I Wanna Destroy You" - The Soft Boys, The La's - "There She Goes"
  • LIBRARY MUSIC
Library music is a genre referring to electronic, often quirky and experimental, music, designed for use in radio, TV programs, and sountracks in eras gone by. Especially notable was the work of the BBC Radiophonic Workshop (read this article at Radio Riel for more information) which I first heard of as listeners of my electronic music began to draw comparisons between my sound and library music artists like Delia Derbyshire (known for the Doctor Who theme music) and Raymond Scott. BBC Radiophonic Music is a good starting point, while Barry 7's Connectors delves further into the obscure.
  • MOD
My love of mod music began with the Kinks, the Small Faces, and the Jam (all of which I had heard Carl Barat of the Libertines was into, when I was a mad-lib fanatic)- what's more, my main reason for working and saving up cash was initially my dream of owning a Vespa LXV 150. The further I got into exploring mod music and culture, I eventually came across the Immediate Mod Box Set, which is chock-full of classic cuts from the Small Faces, Rod Stewart (mod-ish back then, you know), John Mayall and the Bluesbreakers, Chris Farlowe, and more. A lighter sampling is available on Decca's The Mod Scene, while Yet Mo' Mod Jazz covers some of the favourite jazz and R&B selections.
  • EXOTICA / LOUNGE
Lounge does not necessarily equal muzaky background music that should be restricted to elevators. The Ultra Lounge series encompasses a variety of cool, swingin' music from the likes of exotica masters Martin Denny and Les Baxter, perfect for parties and chillin', ya dig? Since the series goes 18 albums deep, begin with the Ultra-Lounge Sampler!
  • ALTERNATIVE ROCK
The only problem with a box set like this is that those who are interested in such a compilation run the risk of already owning the full-length albums by many of the artists included here, but Left of the Dial: Dispatches from the '80s Underground serves a purpose for any of those nay-sayers who put down the 80's as being merely an era of mainstream pop and hair bands, and also for an all-around excellent mix. Key tracks: The Jam - "Going Underground", The Cure "A Forest", New Order - "Temptation", The Smiths - "This Charming Man", Joy Division - "Love Will Tear Us Apart", The Cramps - "Goo Goo Muck", Echo and the Bunnymen - "The Cutter", The Psychedelic Furs - "All That Money Wants", and everything else.
See also 18 Track Sampler and Post-Punk for smaller doses.

A Life Less Lived: The Gothic Box
Gothic rock is a frequently misunderstood genre, and the inclusion of much of what is labeled post-punk (Joy Division, The Chameleons) and/or neo-psychedelic (Echo and the Bunnymen, The Cult) might appear confusing at first glance, but there is much to be said for A Life Less Lived allowing the connections between these genres to be plainly heard. The only puzzling aspect of the collection is AFI's cover of the Cure's "The Hanging Garden". Hmm.
Key tracks: Nearly everything! Nice to see some more off-the-wall inclusions like the March Violets - "Snake Dance" and Dalis Car (collaboratio
n between Bauhaus' Peter Murphy and Japan's Mick Karn) - "His Box", as well.

No Thanks! The 70's Punk Rebellion
Rhino Records are wonderful at putting compilations together, aren't they? Although, as with Left of the Dial's selection, if punk and new wave music interest you, you'll likely have heard a great deal of what is to be found here. If not...I can't think of a better introduction. Would make a great gift to an angsty teen.
Key Tracks: Television - "See No Evil", the Modern Lovers - "Roadrunner", The Stooges - "Search and Destroy", The Fall - "Bingo Master's Break-Out!", Suicide - "Rocket U.S.A.", Magazine - "Shot By Both Sides"

  • LABEL-SPECIFIC
Just Say Sire: The Sire Records Story
I'm not typically the sort to seek out music based on the label it is on, but I have found Sire to have been one of those record labels to consistently release excellent stuff. It's a potpourri here, you are not likely to have heard all of what is offered up previously. Key tracks: The English Beat - "Mirror in the Bathroom", Tin Tin - "Kiss Me", Tom Tom Club - "Genius of Love', The Undertones - "Teenage Kicks"

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Saturday, April 18, 2009

Starter Guide: Legendary Artist Compilations

This is a starter guide designed to get you introduced to a batch of different bands through compilation albums. Audiophiles are well-known for being skeptical of a compilation's purpose; "just get x and y" albums, they might say when you inquire about where to begin with a band, or at worst "everything". A brilliant compilation can, at the very least, to a superior job of garnering new fans, and, further still, inspire one to track down all of the band's full-length albums or dive deeper into the genre in question.

No, I'm not talking about standard-fare greatest hits packages (such as the useless Time For Heroes Libertines compilation- the group only released two albums!) or bands whose career can be summed up with a straightforward singles disc (take, for example, the Smiths' Singles, or the Buzzcocks' Singles Going Steady, fine places to begin), or, further still, not those over-priced bonanzas that contain all of an artist's catalog with little extra: these are the legendary compilations. There's definitive box sets, and those ones juicy rarities and extras you won't find anywhere else. Since this post limited to my tastes (the bands I've selected, and, in tomorrow's post (EDIT: soon, this is taking a bit of time, it'll be up this week, no worries..), a batch of genres including: girl groups, psych-garage, library music, and mod), I am sure there are plenty of great compilations our lovely readers could recommend in the comments! See also Top Compilations of All-time at Rate Your Music - stay tuned for tomorrow's Starter Guide: Legendary Genre Compilations!

ARTIST-SPECIFIC COMPILATIONS:
Bauhaus - 1979-1983
All of the best Bauhaus tracks are here, this double-album is a veritable substitute to owning anything else of theirs. Quintessential post-punk and gothic movement precursors. Key tracks: the live version of "Bela Lugosi's Dead", "Kick in the Eye", "Lagartija Nick"

The Beatles - 1962-1966 (Red Album), 1967-1970 (Blue Album)
While 1 is lacking (no "Strawberry Fields Forever", since it didn't hit #1), Past Masters 1 and 2 contain some (*gasp*!) throwaway tracks, and the Anthology series is really for people who are already into the Beatles, these compilations, at two discs apiece, offer the best intro to the Beatles you can possibly get, barring a decision to just go ahead and listen to all of their studio albums (oh, and start with Rubber Soul, should you take this route).

Blur - The Best Of
My immediate purchase after hearing a tape of There's No Other Way, with b-side "Explain", The Best Of comes off as more of a personal mix CD than an ordinary hits compilation: these are not in chronological order, and yet the many sides of Blur are all here- the classic Britpop, the introspective, sentimental sides. A definitive introduction, all tracks are key.

The Cars - Anthology: Just What I Needed
A strangely overlooked group, Anthology includes not only the string of glorious new wavey- rock hits, but some rare pieces including an earlier (and possibly superior) version of "Night Spots" and covers of "The Little Black Egg" and Iggy Pop's "Funtime". If you have not yet delved into the Cars, grab Anthology- the time is now! Key tracks: "I'm Not the One", "Candy-O", "Cruiser", "Moving in Stereo", "Panorama"

The Cure - Join the Dots: B-Sides and Rarities
While perhaps not the ideal place to begin with the Cure (that would be Standing on a Beach: The Singles), there is stuff here you can't get anywhere else (plus the Japanese Whispers EP tracks, which are among my favourites). Check out the Ulitmate Guide to the Cure over at How to Impress a Hipster!

Fad Gadget - The Best of Fad Gadget
With his studio albums often difficult to come by, The Best of... encompasses the best tracks and a host of worthwhile remixes. Fad Gadget was the music of Frank Tovey, an under-appreciated master of electronic, post-punk, along the lines of Gary Numan and early Depeche Mode. Key tracks: "Back to Nature", "The Box", "Collapsing New People", "I Discover Love [Extended Version]"

The Fall - 50,000 Fall Fans Can't Be Wrong: 39 Golden Greats
We here at A Future in Noise are going to continue to champion the Fall, for crucial reasons detailed in the recent Starter Guide: The Fall. Key tracks: "Totally Wired", "Hip Priest", "Cruiser's Creek"

Joy Division - Substance
While the original vinyl stops with at "Love Will Tear Us Apart", re-issues include an additional 7 tracks- nothing here is pulled from their two studio albums Unknown Pleasures or Closer, and yet this is a perfect introduction (this is how I first heard the band), as well as being non-redundant if you do own the LPs. Key tracks: "Transmission", "She's Lost Control" (the electronic, 12" version), "Love Will Tear Us Apart", "No Love Lost" (recorded when they were known as Warsaw)New Order - Substance
Unlike the case with Joy Division's Substance, the New Order compilation does indeed pull tracks from albums ("Blue Monday" from Power, Corruption, & Lies, "Bizarre Love Triangle" from Brotherhood, and so forth), as well as loads of alternate versions and b-sides. Compiled in 1987, it follows that 1989 LP Technique would also be a necessary purchase, showing quite a different, even more danceable and rave-y side of the group. Key tracks: "Everything's Gone Green", "Temptation", "Blue Monday", "In a Lonely Place", "Hurt"

The Rolling Stones - Singles Collection: The London Years
The Rolling Stones have so much material scattered across releases, the sort of thing that makes my head spin...While Hot Rocks (1964-1971) is decent and Forty Licks includes too much fluff, the 3-disc Singles Collection covers 1963 through 1976 and manages to represent the Stones fairly well by doing so. Key tracks: "Play With Fire", "(I Can't Get No) Satisfaction", "19th Nervous Breakdown", "She's a Rainbow", "2000 Light Years From Home", "Street Fighting Man", "Sympathy For the Devil"

The Smiths - Louder Than Bombs
An alternate course of action (opposed to picking up Singles), and one of the most frequently-cited-as-beloved compilations around, even getting on Rolling Stone's 500 Greatest Albums of All-Time- though, unfortunately, neither "This Charming Man" or "How Soon Is Now?" are not included since they had been released as bonuses on American LPs previously. Louder Than Bombs paints an accurate picture of the Smiths as the poetic, genius, and jangly pop (yes!) band that they were. There are b-sides and Peel session wonderments present here- key tracks: "Is It Really So Strange?", "London", "Shakespeare's Sister", "Rubber Ring", "Please Please Please Let Me Get What I Want", "Asleep"

The Who - The Kids Are Alright
While the Ultimate Collection feels uneven and Thirty Years of Maximum R&B is a bit much for a newcomer, the accompanying 'soundtrack' to Who documentary The Kids Are Alright is the right place to start. Meaty Beaty Big & Bouncy is similar in content, and includes a bit of what this doesn't, but the lack of "Young Man Blues" is unforgivable. Everything here is key!

Yello - 1980-1985: The New Mix in One Go
Seemingly known only for "Oh Yeah" by most (from Ferris Bueller's Day Off), Yello pioneered electronica music through the 80's. While The New Mix in One Go is a remix album, the versions of tracks here are absolutely superior to their original studio versions. Key tracks: "Daily Disco", "Swing", "The Evening's Young", "Pinball Cha Cha", and "Angel No"

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Friday, April 17, 2009

New Lowry Music Video! - "Whiskey"

Indie folk/rock group Lowry have recently put out a new music video for their track "Whiskey", an outstanding highlight from Love is Dead (see also Label Feature: Engine Room Recordings)partnering with $99 Music Videos; click here to see the making-of, and check out the video below!



The Cactus Moons - A Blog About Lowry | Lowry on MySpace Music

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Thursday, April 16, 2009

Jakob Battick - Hiding in the Orchard

Long-time A Future in Noise favourite Jakob Battick (see also Mt. Moon - A Burial in Seven Births and Jakob Battick - Some Songs in Chronological Order) has a new release, Hiding in the Orchard, including three original tracks and a cover of Nico song "Afraid". Accurately described as "a soundtrack for nighttime celestial voyages, all swimming through the stars and dozing", "Afraid", from Nico's classic Desertshore, is as moving as, perhaps more so than, the original. Hazy and dreamlike "Sister Song" is next, immediately showing a profound growth in the musical and emotive depth in his work, and "As Before, If Not More" is wrought with a powerful, haunting melancholy which is exceptional. The EP closes with a new, definitive version of "It's a Grace (Only Bodies Can Impart)", stretching across oceans of thoughtfully crafted sound in 8 minutes. As impressive as Hiding in the Orchard is as an EP, I can only expect further greatness from a future full-length release.

Jakob Battick on MySpace Music

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Wednesday, April 15, 2009

The Long Afternoon - Signifying Nothing

The Long Afternoon, originally formed as an indie rock group in Pittsburgh, Pennsylvania in 1985, have had a curious history, with an ever-changing line-up, the prospect of a Bulging Eye release, and the members going their separate ways in the late 80's.

Lead vocalist/guitarist Eston Martz, inspired by the fact that "not only did the Velvet Underground reconvene to perform, but Mission of Burma and Wire also emerged from retirement — and didn’t just emerge, but resumed recording compelling, dynamic music that neither rehashed nor diminished past glories" and witnessing a final live concert of Television, revived the spirit of the Long Afternoon with the addition of Greg Elliott (drums) and Jeff Edmunds (bass) and released first full-length album The Luxury Problem in 2006, with this year's LP release Signifying Nothing recorded 2007-2009.

The Long Afternoon provide updated jangle rock for a new era, with smartly crafted songs. "Elinor Murphy" (listen here!) comes crashing in as the first track.

The Feelies-esque tracks like"Building" and "She Fell" and softer tunes "Goodbye to All That" and "Sermon" serve as examples of the Long Afternoon's adaptability, which grows further throughout the course of Signifying Nothing. "Using Dream", a personal favourite of mine, is awash in rolling waves of guitar and light melodies. "Never Tell" and "Shift" take the album through a cool, moody turn. Title track "Signifying Nothing" (listen here!) perfectly encapsulates the Long Afternoon sound.

"That's Just the Way It Happened" and "Yr Happy Girl" come off as punchy live tracks. "Intent" and "Blacklight District" grunge up the vibe, while the final trio "Spencer Patrol", "How Did I Get So Far From Where I Should Have Been", and trippy "Bother" end the album sweetly and somber. A big-time, clever and refreshing highlight of the 2009 releases I have heard so far- now go and...
Stream+Download: The Long Afternoon - Signifying Nothing !

The Long Afternoon - Official Site
| on CDBaby

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Monday, April 13, 2009

Black Moth Super Rainbow - Eating Us

Black Moth Super Rainbow, surely one of the trippiest groups around today, barring the ever-present Animal Collective, are set to release Eating Us on 3/26/2009, their fourth LP under that name.
Note: They had a string of releases as 'Satanstompingcaterpillers' through the early 2000s.

While the modern psychedelic-electro classic Start a People and the poppier Dandelion Gum found BMSR striving to mix colors and sound, a goal they achieved to excellent artistic effect, Eating Us sounds much like the cover looks- a monochromatic haze with a curious, sometimes unsettling, intrigue making itself occasionally apparent.

From the opener "Born On a Day the Sun Didn't Rise", it is clear that the gift for catchy titles is here, the vocoder, sensible use of electronics, and the general weirdness fans have come to expect from the group, though a general sense of melancholy pervades throughout the album. "Dark Bubbles" plods along, despite cascading noise, ending acoustically, while "Twin of Myself" recalls the neo-lounge of Stereolab. "Gold Splatter" is the first key track, even a bit Air-like (without the femme vocals), and builds up to to a cinematic conclusion. "Iron Lemonade" is another sign of the album picking up steam- this is Black Moth Super Rainbow 2.0. "Tooth Decay" is my favourite of the lot, thoroughly danceable and sounding like their version of disco. "Fields are Breathing" and "Smile the Day After Today" are mellower and dream-like, while the brief "The Sticky" returns the punch. "Bubblegum Animals" is somewhat of a throwaway, but then again they have long had brief interludes on their albums. "American Face Dust" concludes the album brighter than it had begun, and would make for a wise single choice (non-album single from this year, "Don't You Want To Be in a Cult" isn't found here), a sonic-brother of "Gold Splatter".

While the album is enjoyable, there is little that is new here- Eating Us could have been truly wonderful with the promise of a more introspective, and 'chillaxed' vibe than their previous material, and instead provides (mostly) more of the same and a few highlights. Grab Start a People first if you are new to the world of Black Moth Super Rainbow.

Black Moth Super Rainbow - Official Site
| on MySpace Music

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Saturday, April 11, 2009

Independent Music Discoveries: Issue #4

This is the fourth installment of the Independent Music Discoveries series- see also Issue #1, Issue #2, and Issue #3! Be sure to recommend your favourite indie artists in the comments!

Henry's Phonograph - Psychedelic / Rock - London, UK
Any group that cites the Fall, Public Image Ltd., and Django Reinhardt as influences is apt to catch my attention, but I must say I found the unique brilliance of Henry's Phonograph quite impressive. Recalling at times a vibe similar to that of 60's psychedelic groups mixed with a distinct angular artiness and sociopolitical awareness, this is must-listen material! Recommended tracks: "One Last Kiss", "Popular Capitalism", and "Ain't a Cloud in the Sky". They are also part of Road to V- be sure to vote for them here!
Henry's Phonograph on MySpace Music | on Last.fm

eat the weeds - Indie /Acoustic / Pop - British Columbia, Canada
Working on recording her debut album via Baker Studios for this summer, eat the weeds is the music of Daniela from Victora, British Columbia. This is modern acousti-pop with world music influences, sometimes recalling Alanis Morisette or Sia, and some top-notch songwriting as well- "In My Fading Memory" and "Will You Marry Me" are particularly recommended.
eat the weeds on MySpace Music | on Last.fm

Movie - New Wave / Grunge / Experimental - New York, USA
Three-piece band Movie create music based around post-punk and shoegaze influences, with their debut album White Whales planned for release on July 7th, 2009. "Inside", which they have offered to A Future in Noise and our readers for FREE DOWNLOAD, and "Chase Day Two" are both excellent examples of the Movie sound.
Movie on MySpace Music | Shatter Your Leaves Records

Charlotte & Magon - Pop - Tel Aviv, Israel / Paris, France
Charlotte (from France) and Magon (Israel) communicated via the internet with each other for 2 years before meeting, falling in love, and creating a thoroughly lovely pop album Love Happening. With Air and Goldfrapp-like song structure and melodies recalling 70's pop, Charlotte & Magon's tunes are not to be missed, especially "Nine Cloud" and "Howard"!
Charlotte & Magon - Official Site | on MySpace Music | on Last.fm

Patrick Davy - Alternative Rock - Michigan, USA
Carrying on a singer-songwriter tradition in the vein of Tim Buckley and Neil Young for the modern era; "Afterglow" could easily be a radio hit everywhere, while "The Joke" (see Vimeo) is more somber and introspective. Patrick Davy's Where it Began is currently available on iTunes. (Thanks to reader Leo for the recommendation!)
Patrick Davy - Official Site | on MySpace Music

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Friday, April 10, 2009

The Penny Black Remedy - No One's Fault But Your Own

The Penny Black Remedy are an international rock group comprised of British members Keith Thompson (lead vocals) and Steve Nelson (bassist), Croatian Marijana Hajdarhodzic (vocals, percussion), and Dutch Wilco Van Eijk (drums / percussion / vocals).

Self-described as "Balkan Country Punk Juggernauts", the Penny Black Remedy have cooked up quite a potpourri of mixed genres awash in the flickering glow of the darker side of life in No One's Fault But Your Own, set for release on May 18th, 2009. Opener "95 Charing Cross Road", an excellent choice as the album's first single, is flavored with ska and punk and serves as a fine introduction to the world of the Penny Black Remedy, with its start-stop rhythm, immediate likability, and the tenebrific twang of Thompson's vocals. "Don't Count On Us" turns to a near-flamenco style, introducing the lovely vocals of (classically-trained!) Hajdarhodzic. "Come Back When You Have More Ambition" is somberly sung by both Thompson and Hajdarhodzic gradually growing in tempo and intensity, one of my chief favourites on the album. Cheekily-titled "You Have Wasted Your Life, Now Please Stop Wasting Your Money" and "Hit Hard, Aim Low" returns to ska elements implied earlier on, while "The First Time I Saw Angels" and "I Won't Argue When I'm Dead" leans to a playful, sarcastic side of country-folk. "I Used To Have Such Nice Dreams" plods along with what at first appears to be a pirate-esque melody, turning the tides and quickening in pace. "Bring Back Brando" is a heart-felt lament on the death of Marlon Brando, and the album's closer "Gypsy Hospital Death March" sounds just like the track's title suggests, rallying on amidst horns until the end.

Given the group's musical versatility shown in this first album No One's Fault But Your Own, they have set the bar high for future releases- I have big expectations for the Penny Black Remedy!

The Penny Black Remedy - Official Site | on MySpace

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Thursday, April 9, 2009

Ian France - "500 Souls"

Electronica artist Ian France has recently debuted the music video for "500 Souls", featuring Berthuld Thomas Johnson samples enmeshed in a kaleidoscope of electronic sound. Check it out!


Stream and download the track from Fairtilizer below; also recommended: "Church Bells" and "Night Lights"

Ian France Official Site | on MySpace | on Fairtilizer

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Wednesday, April 8, 2009

New Last.fm Group For A Future In Noise

I'm quite pleased to announce that today, we've started a Last.fm group for the blog. If you're on the site, feel feel to join up and meet the other readers of the blog.
While we're doing announcements, here are some other things that are in the works:

  • the long-awaited AFIN YouTube channel.
  • my Blip.fm radio station. (Marilyn already has one here).
  • some more Starter Guide features, including Björk and (possibly) Bob Dylan.
So stay tuned!

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R.I.P. Kurt


Kurt Cobain's body was found 15 years ago today. Here's a beautiful article at Entertainment Weekly (though I could do without the Courtney slagging; she was grieving and probably had no idea how to react). One year, I want to go up there on 5 April and place flowers at Viretta Park, just south of his home, where they've sort of set up a makeshift shrine to him. His music means just that much to me.
Are you doing anything to honour him today?

*EDIT*
Brandon Flowers ought to be ashamed. He's probably jealous because Kurt could toss off a better song in twenty minutes than he'll ever write in his whole career. What a cheek he has!

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The Beatles Catalog To Be Reissued



We're certainly seeing a lot of reissue goodness lately, aren't we? Last month, we saw a reissue of Serge Gainsbourg's Histoire de Melody Nelson (which is awesome, by the way; the sound quality is noticeably improved over the original) and now, it's come out that they're finally going to remaster and reissue the Beatles' entire catalog. All 12 of their studio albums, Magical Mystery Tour, and both of the Past Masters discs will be out on 9 September (I suppose that's a nod to "One After 909"), with packing based on the original vinyl designs, new liner notes AND - musician Beatle-fans, get ready to completely lose it - documentaries on the making of each album. I know what I want for Christmas...

Anyway, to go with this awesome, awesome news, here are my 16 favourite Beatles songs. This is a mix that I made a couple of months back, and I keep it in constant rotation in my car. At some point, I'll probably expand it to 25 and write little blurbs like I did with Blur, but here's the list (in no particular order):

  • Come Together (from Abbey Road)
  • Doctor Robert (from Revolver)
  • A Hard Day's Night (from A Hard Day's Night)
  • Happiness is a Warm Gun (from The Beatles)
  • Lucy In The Sky With Diamonds (from Sgt. Pepper's Lonely Hearts Club Band)
  • Rain (B-side to "Paperback Writer")
  • Baby You're a Rich Man (B-side to "All You Need Is Love")
  • You Never Give Me Your Money (from Abbey Road)
  • Eleanor Rigby (from Revolver)
  • I Feel Fine (single)
  • Long Long Long (from The Beatles)
  • Paperback Writer (single)
  • In My Life (from Rubber Soul)
  • Dear Prudence (from The Beatles)
  • Penny Lane (double A-sided single with "Strawberry Fields Forever")
  • Strawberry Fields Forever (double A-sided single with "Penny Lane")

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The Horrors - Primary Colours

It's official: post-punk and synthesizers are in, in, in. Never mind Paste decrying Tonight: Franz Ferdinand as a "pitiful decline of a once-great band", legions of Yeah Yeah Yeahs fans truly puzzled by the band's new, electronic sound on It's Blitz, and quite a varied reaction to post-punk revivalists White Lies' To Lose My Life. The Horrors are perhaps the last group anyone would expect to ride the trend...or take it to a higher plane altogether.

Their 2007 release Strange House proved fun, punky, and a little spooky. Most noticeable, listening to the album in retrospect, is the potential that is heard- the arty edginess in their musicianship, the untapped melodiousness in Faris "Rotter" Badwan's voice. Still, this new-found sound on Primary Colours (Badwan's not growling this time around!) has been viewed as largely unprecedented...except to anyone who heard the Horrors' cover of the Suicide song "Shadazz" last autumn, part of the Blast First Petite series of tribute EPs to legendary electro-punk duo Suicide, which foreshadows the new direction they were going to take with their follow-up LP, keyboard effects, cool swagger, and all.

Last month, I heard about the Horrors' offer of a free mp3 of "Sea Within a Sea" from thisisoffset: 7 minutes, 58 seconds long, this is no lightweight track, bass plodding along darkly at the beginning and Faris Badwan's voice coming as a pleasant shock, articulate, subtly packed with emotion and strange charm. Approaching 3:00, the song takes a roller-coaster spin through drums, guitar, and clattering from all around, with 4:00 "until the end..." becoming unexpectedly positive. Based on the brilliance of the single, Primary Colours was immediately on my wish-list for 2009.

"Mirror's Image" opens the album with near-ambient touches, progressing along to a blend of shoegaze-reminiscent fuzz and electronic loops, a feature to appear in varying forms throughout the album. "Three Decades" and "Scarlet Fields" are surrounded with noise, sounds evoking the echoes of basements, cathedrals, and (possibly haunted) subway stations. "Who Can Say" crashes in like a gothic M83, bittersweet with Badwan's laments. A dash of psychedelia is added for good measure in "Do You Remember", complete with vocal backmasking, and "I Can't Control Myself", a tune that would find itself at home on a compilation like Children of Nuggets or as a lost Love and Rockets b-side.

"New Ice Age" bridges the gap between Strange House and Primary Colours- gritty, but with fresh ingredients and purpose. "I Only Think of You" is the most ballad-esque of the Horrors' catalog yet, another long one (7:06), and a bit more meandering than the other material found here. Title track "Primary Colours" would be an excellent pick for a single, the feel of the album crystallized in one track, with nods to their influences felt, yet without sounding outdated. The album closes with the powerful "Sea Within a Sea", what many bands might have chosen as an opening track, concluding Primary Colours as epic and fully-realized as hearing this same single alone promised.

Pre-Order The Horrors - Primary Colours (released: 5/5/2009)

The Horrors - Official Site | on MySpace Music

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Tuesday, April 7, 2009

Synesthesia - When Music = Color

Synesthesia encompasses a wide variety of phenomena that involve mixed neurological sensations, for example, when seeing a certain letter of the alphabet evokes (or causes one to see, which then overlaps the figure) a particular color without fail, automatically; see also Mixed Signals for information and descriptions of a wide variety of types.

When a synesthete (someone with synesthesia) has a sound-to-color association (or projection), specific keys and instruments will evoke certain colors (as with grapheme-to-color synesthes), sometimes even effecting them visually- perhaps seeing the colors in their field of vision, moving and changing.

I personally am a sound-to-color synesthete, though I am an 'associator' and not a 'projector'- I don't see the colors in front of me, but they have always cropped up in my mind whenever I am listening to any piece of music, as well as my own music. Although my synesthetic experiences are likely far from being universal, I will sometimes try to guess the color of a band's album cover I haven't seen before after downloading a song, based on what colors are popping into my mind- and sometimes I'm on target!

I've combined some of the colors reflected in favourite songs of mine (automatically associated) with patterns from the excellent COLOURlovers because they seem to convey the vibe of the song:
Take_Me_Out
(Franz Ferdinand)
Come_in_Alon
(My Bloody Valentine)
Interzone
(Joy Division)
Romantic_Rights
(Death From Above 1979)
Shadazz
(Suicide)
Theres_No_Other_Way
(Blur)
I plan to expand on this subject in the future- if you have had experiences with synesthesia or any questions or remarks, comment away!

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